emoji

/ɪˈmoʊ.dʒi/·noun·1999 (Japanese mobile phones); c. 2010 (global English adoption via Unicode)·Established

Origin

Japanese for 'picture character' (e = picture, moji = character) — nothing to do with English 'emoti‍​‌​‍​‌​‍​‍​‍​‌​‍​‍​‍​‌​‌​‌​‍​‌​‌​‍​‌​‍​‌​‌​‌​‌​‍​‍​‌​‍​‌​‍​‍​‌on,' despite the coincidence.

Definition

A small digital image or icon used in electronic communication to express an idea, emotion, or conce‍​‌​‍​‌​‍​‍​‍​‌​‍​‍​‍​‌​‌​‌​‍​‌​‌​‍​‌​‍​‌​‌​‌​‌​‍​‍​‌​‍​‌​‍​‍​‌pt.

Did you know?

The word 'emoji' looks like it comes from 'emotion' — but it doesn't. It is pure Japanese: 絵 (e, picture) + 文字 (moji, character). The resemblance to 'emotion' and 'emoticon' is a complete coincidence, though it is so perfect that it probably helped English speakers adopt the word. The original 176 emoji, designed by Shigetaka Kurita in 1999, were each only 12×12 pixels and included a heart, a smiley face, and weather symbols. Kurita's original set is now in the collection of the Museum of Modern Art in New York.

Etymology

Japanese1999well-attested

From Japanese '絵文字' (emoji), a compound of '絵' (e, picture) and '文字' (moji, character/letter). Created by Shigetaka Kurita in 1999 while working at the Japanese mobile carrier NTT DoCoMo. Kurita designed the original set of 176 emoji (each just 12×12 pixels) for the i-mode mobile internet platform, drawing inspiration from manga, kanji, and weather forecast symbols. The resemblance to English 'emotion' is pure coincidence — the Japanese etymology has nothing to do with emotion, though this false connection has helped the word feel natural in English. Key roots: 絵 (e) (Japanese: "picture, drawing, painting"), 文字 (moji) (Japanese: "character, letter, writing").

Ancient Roots

Emoji traces back to Japanese 絵 (e), meaning "picture, drawing, painting", with related forms in Japanese 文字 (moji) ("character, letter, writing").

Connections

tsunami
also from Japanese
judo
also from Japanese
dojo
also from Japanese
edamame
also from Japanese
wasabi
also from Japanese
origami
also from Japanese
emoticon
related word
kaomoji
related word
pictograph
related word
glyph
related word
ideogram
related word

See also

emoji on Merriam-Webstermerriam-webster.com
emoji on Wiktionaryen.wiktionary.org
Proto-Indo-European rootsproto-indo-european.org

Background

Origins

Emoji is a Japanese word that conquered the world's languages in barely a decade, yet its etymology is almost universally misunderstood by the people who use it most.‍​‌​‍​‌​‍​‍​‍​‌​‍​‍​‍​‌​‌​‌​‍​‌​‌​‍​‌​‍​‌​‌​‌​‌​‍​‍​‌​‍​‌​‍​‍​‌

The word is Japanese: '絵文字,' a compound of '絵' (e, meaning picture, drawing, or painting) and '文字' (moji, meaning character, letter, or written symbol). The literal meaning is 'picture character' — a written symbol that is a picture rather than a phonetic letter or an abstract logograph. The word existed in Japanese before the digital age, used to describe pictographic writing systems generally.

The digital emoji were created in 1999 by Shigetaka Kurita, an artist and engineer on the i-mode team at NTT DoCoMo, Japan's largest mobile carrier. The i-mode platform was one of the world's first mobile internet services, and Kurita's team needed a way to facilitate communication on tiny screens with limited bandwidth. Kurita designed 176 emoji, each a 12×12 pixel grid, drawing inspiration from manga visual conventions, Japanese kanji, and the pictorial symbols used in weather forecasts. The original set included hearts, weather icons, arrows, and simple facial expressions.

Latin Roots

The resemblance between 'emoji' and the English word 'emotion' (or 'emoticon') is one of the most felicitous false cognates in modern language. English 'emotion' comes from French 'émotion,' from Latin 'ēmovēre' (to move out, to agitate), from 'ē-' (out) and 'movēre' (to move). Japanese '絵' (e, picture) has no etymological connection whatsoever to Latin 'ē-' or 'emotion.' The coincidence is purely phonetic. Yet it has powerfully shaped how English speakers understand and relate to the word — the false connection makes 'emoji' feel like it naturally belongs in English, as if it were built from 'emotion' + some kind of suffix.

Emoji remained largely a Japanese phenomenon through the 2000s, with different carriers (DoCoMo, au, SoftBank) developing incompatible sets. The global breakthrough came when Google and Apple lobbied the Unicode Consortium to standardize emoji. In 2010, Unicode 6.0 included 722 emoji characters, giving them a universal encoding that worked across all platforms and devices. Apple's inclusion of an emoji keyboard in iOS (initially hidden, intended for the Japanese market) was discovered by Western users, and adoption exploded.

The word 'emoji' entered English rapidly after 2010. By 2013, it was in the Oxford English Dictionary. In 2015, the Oxford Dictionaries named the 'Face with Tears of Joy' emoji (😂) as their Word of the Year — the first time a pictograph rather than a word received the honor. As of 2023, Unicode includes over 3,600 emoji.

Later History

Linguistically, emoji raise fascinating questions. They are not a language — they lack grammar, fixed word order, and the ability to express negation, conditionality, or tense with precision. But they function as a paralinguistic system, similar to gestures, facial expressions, and tone of voice in spoken conversation. They supply the emotional and social cues that plain text lacks. In this sense, they fulfill exactly the role their name describes: they are picture characters that do what written characters alone cannot.

The word itself has an interesting grammatical life in English. The standard English plural is 'emoji' (following the Japanese, which does not inflect for number) or 'emojis' (following English pluralization rules). Both are in common use, and neither is wrong. The word functions as both a count noun ('an emoji,' 'three emojis') and a mass noun ('emoji as a communication tool'), showing the flexibility that loanwords often acquire in their adopted language.

Kurita's original 176 emoji, with their crude 12×12 pixel grids, were acquired by the Museum of Modern Art in New York in 2016. The set that was designed to help Japanese teenagers send messages on primitive flip phones now hangs alongside Picassos and Warhols — a fitting reflects how a simple idea, well executed, can reshape human communication.

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