waltz

/wɔːlts/Β·nounΒ·1781 (in English)Β·Established

Origin

German 'Walzer' (turning dance), from 'walzen' (to roll), from PIE *wel- β€” once scandalous, now elegβ€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€β€‹β€Œβ€‹β€ant.

Definition

A ballroom dance in triple time performed by a couple turning in circles; a piece of music for this β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€β€‹β€Œβ€‹β€dance.

Did you know?

When the waltz first arrived in English ballrooms around 1812, it caused a scandal. Lord Byron satirized it, and The Times of London called it 'disgusting' because the man held the woman's waist β€” unprecedented physical intimacy on a public dance floor. The PIE root *wel- (to turn, to roll) is hidden inside 'revolve' (turn back), 'volume' (a rolled scroll), 'involve' (to roll into), 'evolve' (to roll out), 'valve' (a turning door-leaf), and even 'vulva' (a wrapper, a covering).

Etymology

German18th centurywell-attested

From German 'Walzer' (a waltz, a turning dance), from 'walzen' (to roll, to turn, to revolve, to dance the waltz), from Old High German 'walzan' (to roll, to revolve), from Proto-Germanic *walt- (to turn, to roll), from PIE *wel- (to turn, to roll, to wind). The same PIE root gives English 'revolve,' 'volume' (originally a rolled scroll), 'valve' (a turning door), 'wallet' (a rolled pouch), and 'walrus' (possibly from a Nordic compound). The waltz originated in Austria and southern Germany in the late 18th century and was considered scandalous when it first appeared in European ballrooms because the partners held each other in a closed embrace β€” previous dance forms kept partners at arm's length. The word entered English around 1780–1800 as the dance swept European high society. 'To waltz' acquired the informal sense of 'to move effortlessly' in 19th-century English, as in 'to waltz into a room.' Key roots: *wel- (Proto-Indo-European: "to turn, to roll").

Ancient Roots

This Word in Other Languages

valse(French)vals(Spanish)valzer(Italian)Walzer(German)

Waltz traces back to Proto-Indo-European *wel-, meaning "to turn, to roll". Across languages it shares form or sense with French valse, Spanish vals, Italian valzer and German Walzer, evidence of a shared etymological family.

Connections

See also

waltz on Merriam-Webstermerriam-webster.com
waltz on Wiktionaryen.wiktionary.org
Proto-Indo-European rootsproto-indo-european.org

Background

Origins

The term "waltz" designates both a ballroom dance characterized by a triple time rhythm and a piece of music composed for this dance.β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€β€‹β€β€‹β€Œβ€‹β€Œβ€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€Œβ€‹β€β€‹β€β€‹β€β€‹β€Œβ€‹β€ Its etymology traces back to the German word "Walzer," which denotes the dance itself, specifically emphasizing the turning or revolving motion integral to the dance’s style. The German "Walzer" derives from the verb "walzen," meaning "to roll," "to turn," "to revolve," or "to dance the waltz." This verb, in turn, originates from Old High German "walzan," carrying the same core meanings of rolling or revolving.

Delving deeper into the linguistic ancestry, "walzan" stems from the Proto-Germanic root *walt-, which encapsulates the notion of turning or rolling. This root is inherited within the Germanic branch of the Indo-European language family and is not a later borrowing. The Proto-Germanic *walt- itself is derived from the Proto-Indo-European (PIE) root *wel-, which broadly means "to turn," "to roll," or "to wind." This PIE root is well-attested and has yielded a variety of cognates across different Indo-European languages, reflecting the semantic field of rotation and movement.

In English, the influence of this PIE root *wel- is observable in several words related to turning or rolling. For instance, "revolve" directly relates to turning around an axis; "volume" originally referred to a rolled scroll of writing, highlighting the physical act of rolling; "valve" denotes a device that turns to regulate flow; and "wallet" refers to a folded or rolled pouch. The word "walrus," while less directly connected, is sometimes suggested to derive from a Nordic compound linked to the same root, though this connection is more speculative.

Development

The dance known as the waltz emerged in the late 18th century, primarily in Austria and southern Germany. It represented a significant departure from earlier European ballroom dances, which typically maintained a more formal distance between partners. The waltz was considered scandalous at its inception because it involved partners holding each other in a closed embrace while turning continuously in circles. This intimate posture and the smooth, revolving motion of the dance were novel and, to some contemporaries, provocative.

The term "waltz" entered the English language around the period of 1780 to 1800, coinciding with the dance’s rise in popularity among European high society. Its adoption into English was a direct borrowing from German, reflecting the cultural transmission of the dance itself. Over time, the English verb "to waltz" developed an informal figurative sense, meaning "to move effortlessly or confidently," as in the phrase "to waltz into a room." This metaphorical usage draws on the smooth, gliding quality of the dance.

"waltz" is a loanword from German "Walzer," rooted in the Old High German "walzan," and ultimately derived from the Proto-Germanic *walt-, itself from the Proto-Indo-European root *wel-. The semantic core of turning and rolling is consistent throughout its linguistic history, aptly describing the characteristic revolving motion of the dance. The word’s entrance into English in the late 18th century corresponds with the dance’s cultural emergence, and its subsequent figurative extension in English reflects the graceful ease associated with the dance’s movements.

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