karate

/kəˈrɑː.ti/·noun·1955 (in English-language publications)·Established

Origin

Japanese for 'empty hand' — originally written as 'Chinese hand,' reflecting the art's Chinese marti‌​‌​‌​‌​‍​‌​‌​‌​‌​‍​‍​‌​‍​‍​‍​‌​‌​‌​‍​‌​‌​‍​‍​‌​‍​‌​‍​‍​‍​‌​‍​‌al roots.

Definition

A Japanese martial art emphasising striking techniques using punches, kicks, knee strikes, and open-‌​‌​‌​‌​‍​‌​‌​‌​‌​‍​‍​‌​‍​‍​‍​‌​‌​‌​‍​‌​‌​‍​‍​‌​‍​‌​‍​‍​‍​‌​‍​‌hand techniques.

Did you know?

The character swap from '唐手' (Chinese hand) to '空手' (empty hand) in 1935 was partly political — Japan's rising nationalism made a Chinese-derived name undesirable — but also philosophical. Gichin Funakoshi, who brought karate from Okinawa to mainland Japan, argued that '空' (kū/kara) evoked the Buddhist concept of śūnyatā (emptiness), making the practitioner an 'empty vessel' ready to be filled with skill.

Etymology

Japanese1955well-attested

From Japanese '空手' (karate), a compound of '空' (kara, 'empty') and '手' (te, 'hand'). The art originated in the Ryūkyū Kingdom (modern Okinawa) and was originally called '唐手' (also pronounced 'karate'), meaning 'Chinese hand,' reflecting the influence of Chinese martial arts. In 1935, Okinawan masters officially changed the first character to '空' (empty) to distance the art from its Chinese associations and to express the Zen Buddhist idea of emptiness and egolessness. Key roots: 空 (kara) (Japanese: "empty"), 手 (te) (Japanese: "hand").

Ancient Roots

This Word in Other Languages

空手 (karate)(Japanese)空手 (kōngshǒu)(Chinese)

Karate traces back to Japanese 空 (kara), meaning "empty", with related forms in Japanese 手 (te) ("hand"). Across languages it shares form or sense with Japanese 空手 (karate) and Chinese 空手 (kōngshǒu), evidence of a shared etymological family.

Connections

See also

karate on Merriam-Webstermerriam-webster.com
karate on Wiktionaryen.wiktionary.org
Proto-Indo-European rootsproto-indo-european.org

Background

Origins

The term "karate" refers to a Japanese martial art characterized by striking techniques such as punches, kicks, knee strikes, and open-hand methods.‌​‌​‌​‌​‍​‌​‌​‌​‌​‍​‍​‌​‍​‍​‍​‌​‌​‌​‍​‌​‌​‍​‍​‌​‍​‌​‍​‍​‍​‌​‍​‌ Its etymology is closely tied to the historical and cultural developments of the Ryūkyū Kingdom, present-day Okinawa, where the art originated. The word "karate" is a compound of two Japanese characters: 空 (kara), meaning "empty," and 手 (te), meaning "hand." However, the evolution of this term reflects a complex interplay of linguistic, cultural, and political factors that shaped its current form and meaning.

Originally, the martial art now known as karate was called 唐手, also pronounced "karate," but written with different characters. The first character 唐 (kara) in this earlier form means "Tang," referring to the Tang dynasty of China, and by extension, it was used to denote "Chinese." The second character 手 (te) retained its meaning as "hand." Thus, the original term 唐手 literally meant "Chinese hand," acknowledging the significant influence of Chinese martial arts on the indigenous fighting techniques of Okinawa. This nomenclature highlights the historical transmission of martial knowledge from China to the Ryūkyū Kingdom, which was a vibrant hub of trade and cultural exchange in East Asia.

The use of 唐 (kara) to signify "Chinese" or "Tang" is consistent with other Japanese words where 唐 denotes China or things Chinese, reflecting the historical prestige of the Tang dynasty as a cultural reference point. This usage is inherited from classical Chinese and was adopted into Japanese through the extensive borrowing of Chinese characters (kanji) and vocabulary. The character 手 (te), meaning "hand," is a native Japanese word represented by a Chinese character, which was integrated into Japanese writing and vocabulary during the early centuries of the first millennium CE.

Semantic Evolution

In 1935, a significant shift occurred when Okinawan masters officially changed the first character from 唐 (Tang/Chinese) to 空 (empty). This change was motivated by a desire to distance the martial art from its Chinese origins, partly due to rising nationalist sentiments in Japan and the political climate of the early 20th century. The new character 空 (kara) means "empty," and this redefinition imbued the term with philosophical and spiritual connotations drawn from Zen Buddhism, where "emptiness" (śūnyatā) represents a state of egolessness and openness. This semantic shift transformed the meaning of "karate" from "Chinese hand" to "empty hand," emphasizing the unarmed nature of the martial art and its underlying spiritual discipline.

The adoption of 空手 (empty hand) as the official term for the martial art was solidified by the mid-20th century, particularly around 1955, when karate was introduced more broadly to mainland Japan and the international community. This change also aligned with efforts to standardize and promote karate as a Japanese cultural practice rather than a foreign import. The pronunciation "karate" remained consistent despite the change in characters, illustrating a case where phonetic continuity was maintained alongside semantic transformation.

The character 空 (kara) itself is of Chinese origin, borrowed into Japanese as a kanji with the meaning "empty" or "sky." Its use in Japanese predates the renaming of karate and is found in various compounds and expressions. The character 手 (te) is also a Chinese character adopted into Japanese, representing the concept of "hand" and used in numerous native and Sino-Japanese words.

Word Formation

the etymology of "karate" traces back to the Ryūkyū Kingdom's martial traditions influenced by Chinese fighting styles, originally named 唐手 ("Chinese hand"). The term evolved in the 20th century to 空手 ("empty hand") to reflect a philosophical reorientation and national identity shift. Both components of the compound are Japanese readings of Chinese characters, with the first character undergoing a semantic change from a reference to China to a concept of emptiness. This etymological journey encapsulates the dynamic cultural exchanges and historical contexts that shaped karate as both a martial art and a linguistic term.

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