Literary has narrowed dramatically since its arrival in English. When it appeared in the 1640s, borrowed from Latin litterarius ('of reading and writing'), it covered everything that involved written knowledge. A literary man was simply a learned man — someone who read widely across all subjects. The shift to the modern meaning, where literary implies creative or artistic writing specifically, mirrors the evolution of the word literature itself. In the 18th century, literature still encompassed scientific treatises, philosophical essays, and historical chronicles alongside poetry and drama. Samuel Johnson's literary criticism covered the full range. The Romantic period changed this. As poets and novelists claimed special status for imaginative writing, literature gradually narrowed to mean fiction, poetry, and drama, and literary followed it. By the Victorian era, calling something 'literary' implied aesthetic ambition rather than mere learnedness. The Latin root littera ('letter of the alphabet') generated an enormous English family: literal, literate, illiterate, alliteration, obliterate (originally 'to erase letters'), and letter itself. The progression from a single scratched character to the entire enterprise of imaginative writing spans roughly two thousand years and captures something essential about how civilisation values the written word.